Panel IV: Peter Ekeh & 'The Two Publics'

• Richard Joseph, Peter Ekeh's 'The Two Publics' and Predatory Rule in Africa

• Eghosa Osaghae, Colonialism and Civil Society in Africa : the Perspectives of Peter Ekeh's 'Two Publics'

• Isaac Tarus, Interrogating Peter Ekeh's Model of 'Two Public Realms' and its application to Kenya

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Panel V: Slavery & Colonialism

• E.S. Denis Fomin, Slavery Artifacts and Colonial Heritage in Africa

• Slave Routes: a Trail So Long Gone [a 15-part TV documentary, directed by Doris Kuwornu]

• Paul Middeljin: A Television Dialogue

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Panel VI: Pan-Africanism in the Face of a Predatory Globalisation

• Franci Njubi, Loose Canons: Space, Race and Nation in African Studies

• Alieu S.T. Taal, Pan-Africanism: a suspended reality

• Nguelieutou T. Auguste, Le panafricanisme face a la menace de la mondialisation

• Paul Ehioze Idahosa, Contradictions of Recapturing a Relevant Past: Pan-Africanism in the age of globalization

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Panel VII: Foundation Works in African History

• Bourema Diamitani, Restitution du patrimoine historique pille pour une renaissance culturalle Africaine

• Fru Awason, Canons of Anglophone and Francophone Historiography and the Problematic of the 'Iron Curtain'

• Sabo Bako, Islam and Political Though in Pre-Colonial West Africa: some preliminary observations on the cannonical works of the Sokoto Caliphate

• Moumouni Seyni, Tradition manuscrite et pensee socio-politique et culturelle en Afrique: soufisme dans l'œuvre du Cheikh Uthman dan Fodio (1754-1817)

• Samson Moenga, The Works of B.A Ogot in Kenyan History

• Isaac Olawale Albert, Beyond K.O. Dike et. al.: Canonical Works on Oral Historiography of Africa and the Challenge for Contemporary Social Science Research

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Panel VIII: Gender in Canon Formation

• Rudo Gaidzanwa, Gender and Canon Formation: Women, Men and Literaty Art in Africa

• Dorothy A. Nyakwaka, The Gender Factor in Kenya's Canon Formation: Challenges in Continuing Innovations in History

• Richard Ssewakiryanga, 'That Beijing Thing!': Challenging Transnaitonal Feminisms in Kampala, Uganda

• Damina U. Opata, Gender and Canon Formation in Nigerian Literature in English: A Search for a Useable Past

• Esi Sutherland-Addy, Women in Their Own Time: the Women Writing Africa Project

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Panel XI: Foundation Works in African Philosophy

• Olufemi Taiwo, Beyond the Usual Suspects: Towards Renewing th Foundations of African Philosophy

• J.K. Ayantayo, African Traditional Ethics and Transformation: Innovation, Ambivalence & Modification for 21st Century African Intellectual Scholarship

• Kolawole, Owolabi, Between Cultural Nationalism and Globalization: a critical interrogation of Appiah's canonical work, 'In My Father's House.

• Idowu William, Humean Ghost Positivism and African Cultural Heritage: Africa's Challenge to Jurisprudence

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Panel X: Foundation Works in African Music & Dance

• Kofi Agawu, Nketia's 'The Music of Africa' and the Foundations of African Musicology

• Dele Layiwola, Conceptualizing African Dance Theatre

• Monou Djekrif, Chaabania a Constatine, une fete cachant une autre fete

• Abderrame Ngaide & El-Erby Ould Saleck, Conscience, identitaire et/ou dissidence culturelle? Musique, danse et transes chez les Haratin de Mauritanie

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Panel XI: Foundation Works in African Popular Arts

• F.E.M.K. Senkoro, Rethinking Arts & Culture in 21st Century East Africa

• Mshai S. Mwangola, Completing the Cycle: Stage to Page to State

• Onookome Okome, Self-Styling and the Video Film in Africa

• Agbenyega Adedze, "Stamped" African Women: A Century Postal Art in Africa

• Felicia ArudoYieke, Graffiti: Vandalism or Expression of Academic Freedom and Intellectualism at Universities in Kenya

• Oluyemi Olaniyan, The Evolution of the Technique & Creativity of Fuji, a Nigerian Popular Music Genre

• John Collins, Popular Music Studies in the Ghanaian/African Educational System